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You may have noticed some of the recent changes we have made. In the film, Charles Ryder becomes entranced with the noble Marchmain family, first through the charming and provocative Sebastian Flyte, and then his sophisticated sister, Julia. Even if the material is familiar, even if it has been done well before, there is room in a great book for a new interpretation. Kingsley Amis once said his difficulty with Brideshead Revisted was not that these people were behaving badly, but boringly. On the page, that isn’t true, but here on the big screen, it turns out to be an insuperable problem. Performances are good – Thompson and Gambon impress – but the insipid music is dreadful. What’s missing from Goode’s performance and from the film as whole is the layer upon layer of accumulated motive — the gradual evolution of a man’s complex desires and even-more-complicated fears.
Director Julian Jarrold has made a beautiful film that marvelously captures the heady atmosphere of the novel and coaxed compelling performances from his three young leads. Director Julian Jarrold and screenwriters Andrew Davies and Jeremy Brock seem to have no idea how to interpret their source material. This Brideshead is less a dramatization than what you might call a melodramatization. It’s easy to overstate the varied accomplishments here because of how badly it might have gone.
That it landed somewhere between adequate and excellent is satisfying enough. Unfortunately, the film doesn’t linger at Oxford for long, and the remaining point on the love triangle-Sebastian’s sister, Julia-is always present, but only fleetingly interesting. A bleak and often befuddling 2-hour-15-minute disappointment. This is an interesting yet certainly not memorable drama with fine performances and a strong story about family, religion and faith in the context of the decadence of British aristocracy prior to WWII, and it may leave you thinking about it long after the film is over. Dull, slow moving but visually beautiful. Uncharismatic leads are blown off the screen whenever Emma Thompson is on, displaying her range by playing a markedly different character than usual and as always doing it masterfully.
Once she’s gone from the scene its just pretty pictures with people you neither really like or care about. Gruesome Hatchet Job of My Favourite Novel. Brideshead Revisited is a lovely period piece drama set in 1920’s UK. The very talented actress Emma Thopmson palys the matriarch of a very wealthy family whom owns Brideshead. A young msn named Chrales Ryder becomes friends with the son of this family and quickly gets entangled in the intrique of this family and home. This movie is worthy of seeing. A very well suited cast and well done by all.
I should like to bury something precious, in every place I’ve been happy. And then when I was old, and ugly and miserable, I could come back, and dig it up, and remember. Which Real-Life Couple Made The Best Movies Together? The Site That Works For You .
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